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Canon, Period And The Poetry Of Charles Of Orleans

RRP $278.99

Now, for the first time ever, there is a study of the poetry of Charles of Orleans that considers together the English, French, and Latin versions of this large and important body of lyric. Charles was a captive in England following the battle of Agincourt, pulled literally from beneath a heap of bodies and armor. During his twenty-five-year imprisonment, Charles wrote hundreds of poems in French and English, including the over 6,500 lines that form the first single-author lyric book in English. Coldiron analyzes several aspects of the poetry's significance, including its positions in literary history and theory, and its unusual challenges to medieval and Renaissance period categories. This well-written book explores Charles's poetic subjectivity and also presents unprecedented original primary research on the poet's final manuscript, a French-Latin book in facing column format. With theoretical sophistication, literary sensitivity, a richly contextualizing comparative method, and common sense, Coldiron argues that these translations connect cultures, languages, and literary traditions that were undergoing a crucial moment of conflict and separation just before the Tudor period.
This book will be useful to a wide range of literary scholars, particularly those interested in cross-cultural literary relations, comparative literature, or the history of poetry in French and English. Scholars of medieval and early-modern poetry and those interested in the history of literary translation will be particularly interested in the ground breaking work contained here, yet a wider scholarly readership will also find its insights and approaches applicable in many other areas of literary inquiry. Lucidly written, the book displays theoretical sophistication without jargon and makes a significant contribution to our understanding of this important but understudied figure, as well as to our understanding of early modern literary translation.
A. E. B. Coldiron is Assistant Professor of English, Louisiana State University.

A State Space Approach To Canonical Factorization With Applications

RRP $519.99

The present book deals with canonical factorization of matrix and operator functions that appear in state space form or that can be transformed into such a form. A unified geometric approach is used. The main results are all expressed explicitly in terms of matrices or operators, which are parameters of the state space representation. The applications concern different classes of convolution equations: the transport equation, singular integral equations, Wiener-Hopf equations with symbols analytic in a strip, and equations involving factorization of non-proper rational matrix functions. The analysis of canonical factorization for functions with symmetries, including spectral and J-spectral factorizations, related Ricatti equations, and elements of H-infinity control theory are also main topics.This book is the second book written by the four authors in which the state space factorization method is systematically used and developed further. In their first book, released in 2007, the emphasis is on non-canonical factorizations and degree one factorizations, in particular. The present book concentrates on canonical factorization and its applications. Together both books present a rich and far reaching update of the 1979 monograph, the first book in the OTAA series, written by the first three authors.

The Making Of The Modern Canon

RRP $332.99

This book is part of a series which moves the canon debate of the 1980s forward into a new multidisciplinary and cross-cultural phase by investigating problems of canon formation across the whole humanistic field. Some volumes explore the linguistic, political or anthropological dimensions of canonicity. Others examine the historical canons of individual disciplines. The important contribution to the canon debate is remarkable in examining the actual process of canon formation from three unusual and complementary angles. The first two chapters discuss historical attitudes to canons from antiquity onwards, showing the religious, aesthetic, cultural and political interests which have shaped our modern critical canons. Each of the four succeeding chapters examines an exemplary modern defendant, interpreter, or critic of canons: Ernst Gombrich, Northrop Frye, Frank Kermode, and Edward Said. A final chapter considers the origins and rationale of the contemporary debate, emphasizing the disciplinary and aesthetic problems we must confront if our cultural institutions are to meet the changing needs of the next century.


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